With its unique combinations of pitch shifting, modulation and delay, the H910 can be. Despite the odd marketing phrasing, I determined that it was developed by Eventide so I figured theirs had the exact same guts (minus keyboard). The H910 Harmonizer was the worlds first digital effects processor. the biggest dongle aroundĪnyways, to me this isn't quite the same as the Bx stuff (which still feels a tad slimy) because Eventide had their earlier, non-keyboard h910 released at the same time, or at least they had it released at the time that i was eyeing it up - which was very soon after its initial UAD release. I don't consider that a huge deal, I just wanted the UA version.not sure why, is Eventide ilok? if so, that would quickly explain my decision - that is something i've not integrated in my setup, i've no slate, kush or other ilok plugins, I have UA. Again, there was some verbiage about UAD exclusivity or whatever and I wasn't sure what that meant except that, (for awhile) UA had the Eventide developed version w/ the keyboard. I had been under the impression this already existed natively but w/o the 'octave keyboard' via Eventide. Ive been a fan of Eventide gear for decades, and I own hardware versions of the H910 Harmonizer.
#Eventide h910 harmonizer native license#
VENDRE Terms About Us Return Policy License Delivery Payment. to see the Anthology X native bundle finally released. This one has always been a little weird/hazy in its marketing and phrasing. EVENTIDE H910 & 910 double Harmonizer Plugin-AAX VST AU-Nouvelle licence - EUR 71,50. Ouch! Another slap in the face? The native version offers a new dual mode not available on the UAD version? Seeing the native versions be released at pricing significantly under anything UA has offered to date is a slap in the face, especially when one considers the hardware investments made to even have access to these plugins. With less and less plugins being developed in-house by UA combined with the stark reality that competitor gear and computer performance is advancing to where native latency and processing demands are becoming less of an issue, UAD's market strategy may not bode well for the long haul. I suppose the Chandler Curve Bender and the Fender amps will go the same way. Produced from 1979-1984, it introduced the MicroPitch effect, which used a proprietary single-sideband modulation technique for precise control of small pitch shifts. From the third-party developer, it is a win-win, as they are tapping into a new market while not diminishing their previous market share once it goes native. Building on the legacy of the H910 pitch shifter, the H949 Harmonizer was Eventide’s first de-glitched pitch-shifter. I suppose that UA is only chipping in on a smaller portion development time/cost, or perhaps even paying a small branding fee for the head start. It seems that third-party UAD offerings, if "exclusive" at all, are only so for a few months at best.
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